One of the papers that is currently
consuming my life is about rape in Renaissance Italy, a self chosen topic. It
is extraordinary to me that the discourse surrounding rape has changed not at
all in some 800 years. Victims are still blamed for what happens to them
because of what they wear or what they say, certain groups and ethnicities are
particularly vulnerable to attack, and ritual is a big part of the equation,
both in the enacting of violence and in getting past it.
For victims, it is all about shame.
The line that most sexual attacks, including violent ones, happen to women who
know their attacker, is not a new one. Sexual violence doesn’t really have a
beginning, I am finding – it has always been with us, and the way people seem
to cope in the aftermath of such violence, especially if it is ongoing, is to
chart it as part of their everyday existence. In my work, I characterise it as
‘the normalisation of violence’. It is desperately frightening to me how little
has changed in such a long period. It is one of the times that my work seems
especially relevant, even if it is about people long dead.
What is very interesting to me
regarding historians of this period is that there is no one of note writing
about rape specifically who is female. There are a few women who write about
domestic violence and gender violence more broadly, but no one about rape and
rape alone. (Admittedly it is difficult to write about rape alone, something I
am finding out for myself right now.) This is not to say that the men who write
about it in this period do a bad job – not at all. A friend of my mentor’s does
a beautiful job of writing nuanced, empathetic history about this issue. But
never have I been so conscious that I am writing as a woman, of
owning the narrative I write in a very special way. What I am able to admit to
my mentor (and to almost no one else) is that I am uniquely qualified to write
this type of history. It is something I am planning to do long term, this is a
one off, but I have a job to do here. I have a chance to write something that
matters.
I haven’t talked much about my
thesis in this space much. (I am likely to do much more of this once my seminar
papers are in later this month.) But this is also a case of my being very
conscious of being female while I write. My thesis is about a group of women in Renaissance Italy who define themselves and their communities through their writing. These women come from diverse backgrounds, but there are striking similarities in their work and how they go about it. I'm basically writing feminist history but doing everything I can to avoid the typical language that goes with it; not a mention of the word 'oppression'. It's a combination that seems to be working well and, again, I feel like there is something important to say. Almost everything you read about Christina Rossetti or Virginia Woolf is along these lines, the finding of one's worth through writing. This same line of enquiry is non existent in the time, and amongst the women, I am writing about.
The irony, of course, is that this
is exactly what I am finding out for myself. My work this year is giving me
meaning, and I am discovering my vocation as a researcher, a writer and,
ultimately, as a teacher.
How scary is that, friends?! I am
finding out what I am good at, what I am meant to do. It won‘t be easy, but I
know it is right.
It’s funny that I’ve ended up
writing about women, given how deeply uncomfortable I feel as one most of the
time. Or maybe that’s exactly as it should be.
One of the texts I am using as
research for my rape paper is dedicated thus: ‘To women, that they may live
lives of dignity, equality, respect, and safety’. It’s something I can’t get
out of my head.
I certainly hope that for all of
you.
